ミュージック 569214 (134)
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Mozart Sweet Collection
販売元： フォーライフ ミュージックエンタテイメント
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MR.70’S YOU SET ME FREE
販売元： ユニバーサルJ
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薀蓄たれずにただ一言「かっこいい！とんがってる！Charここにあり！」と叫びたくなるような内容ですね。ジムとの息もぴったり、何でも自分でやっちゃう、本当に天才。”ろけんろーるしてるぜぃぃぃ！”とばかりにギターがうねってます、Charさんが叫んでます。ドライブへ行く時はいつも一緒です。運転中もノリノリデスヨ。あるTV番組で見たのですが、このCDをかけながら、ギターでフレーズを確認しつつ、録音当時の自分のEmotionと、これからライブでやろうとする演奏のつながりを確認しているのが印象的でした。天才に譜面は要らないのでしょうか・・・「ほら、”この辺”から音がきてるとかさ、”あの辺”からとかさ、そんなの譜面に書けないジャン」あの一言に天才の二文字を感じました。凄すぎる・・・。
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MUNAKATA DAN
販売元： EMIミュージック・ジャパン
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A MUSIC BOX HEALS YOU [宮崎アニメーション作品オルゴール集]
販売元： abend
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MUSIC FAIR ミュージックフェア 35th アニヴァーサリー ワールドワイド・セレクション
販売元： ポニーキャニオン
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Music for Yohji Yamamoto Collection 1995 THE SHOW vol.7
販売元： アゲント・コンシピオ
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A few days ago I received a copy of the Gutbounce version of Music for Yohji Yamamoto Collection 1995 (it's actually my second copy, having lost my first one). I felt the need to replace it, not just because of it's fairly rare collector's value, but because it's one of my favourite Sakamoto pieces.
For those who haven't yet heard it it's basically a 35-minute piano single containing one song, the enigmatically titled Bridge. I can't tell you how much I love this piece, the structure of it is so satisfying and interesting. The piece starts off with a very ambient 8-minute or so John Cage-esque prepared piano piece which slowly drifts into a cascading flurry of notes emphasising a gorgeous harmonic progression (which I always envision as falling lotus blossom for some reason). As this is repeated a few times, building the mood of the piece, the fast flurry of notes are contrasted with a harmonically static melody which lingers poetically after each phrase.
This section is not unlike the melody to Aoneko No Torso from Smoochy and later appearing in 1996, which was about the same time period this piece was composed and performed. After this section follows an even more sparse but beautiful harmonic progression which Sakamoto whimsically laidens with sparse melodic improvisation evolving the atmosphere of the piece into a deep meloncholy.
The section that follows is a recapitulation of the 'lotus blossom' section, which grows more and more intense with each repetition, drifting into the very highest, and very lowest registers of the piano for the crescendo. Following that another sparse, contrasting progression brings the piece to a peaceful, yet sorrowful conclusion.
For those of you who are fairly new to Sakamoto's work, or who haven't yet heard the piece (which is easily done since his reportoire is so vast!), I sincerely recommend you seek this little gem of a CD out and listen, and listen to your hearts content (which, I assure you, you will). ;)
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Music for Yoji
販売元： インディペンデントレーベル
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A few days ago I received a copy of the Gutbounce version of Music for Yohji Yamamoto Collection 1995 (it's actually my second copy, having lost my first one). I felt the need to replace it, not just because of it's fairly rare collector's value, but because it's one of my favourite Sakamoto pieces.
For those who haven't yet heard it it's basically a 35-minute piano single containing one song, the enigmatically titled Bridge. I can't tell you how much I love this piece, the structure of it is so satisfying and interesting. The piece starts off with a very ambient 8-minute or so John Cage-esque prepared piano piece which slowly drifts into a cascading flurry of notes emphasising a gorgeous harmonic progression (which I always envision as falling lotus blossom for some reason). As this is repeated a few times, building the mood of the piece, the fast flurry of notes are contrasted with a harmonically static melody which lingers poetically after each phrase.
This section is not unlike the melody to Aoneko No Torso from Smoochy and later appearing in 1996, which was about the same time period this piece was composed and performed. After this section follows an even more sparse but beautiful harmonic progression which Sakamoto whimsically laidens with sparse melodic improvisation evolving the atmosphere of the piece into a deep meloncholy.
The section that follows is a recapitulation of the 'lotus blossom' section, which grows more and more intense with each repetition, drifting into the very highest, and very lowest registers of the piano for the crescendo. Following that another sparse, contrasting progression brings the piece to a peaceful, yet sorrowful conclusion.
For those of you who are fairly new to Sakamoto's work, or who haven't yet heard the piece (which is easily done since his reportoire is so vast!), I sincerely recommend you seek this little gem of a CD out and listen, and listen to your hearts content (which, I assure you, you will). ;)
Music in the Air~オルゴールで聴くフォーク ベスト・コレクション
販売元： Sony Music Direct
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Music in the Air~オルゴールで聴く日本の叙情歌
販売元： Sony Music Direct
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全曲のアレンジを担当している岡田徹さんによる詞書きが最初のページにあります。｢実際のリアルな音と、頭の中で鳴っている音と食い違うコト、よくありますよね？ この作品集はリアルな音をふまえた上で、私の頭の中で鳴っている理想のオルゴールです。｣と書いてあるのです。が、私にはオルゴールとはほど遠い音、あえて言うと、オルゴールとハンドベルの中間です。編曲はいいと思いますので、この音作りに納得された方には楽しい１枚でしょう。
私には三協精機の協力でサンプリングされた音や、生のオルゴールを録音したものの方が好ましくありますし、癒されます。
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MUSIC OF HAWAII～1～
販売元： 日本クラウン
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